This is a classic trio of woods, is a project founded in 2019 by three musicians with the will to promote and expand the Chamber Music, considering this to be a privileged vehicle to take classical music to a diverse audience. This project is also a special complement to their careers as performers and teachers and is composed of Transverse Flute, Clarinet and Bassoon. All appreciation for their versatility, musicality and the uniqueness of their training, especially because they explore an eclectic repertoire meeting the unique timbrical potentialities of each instrument.

The concept is simple: welcome friends in the living room, for a night of music and relaxed conversation. That is what January intends with this spectacle, to transform the theatres into its living room. Friends, these, will be on stage and in the audience and the stories will surely be many. At the CAE, Salvador Sobral will sit on the couch with January and bring some of his themes and stories, to share with all who join them, on this special night.

Felipe Puperi is a Brazilian musician and producer based in São Paulo who is known for being part of the band Wannabe Jalva. With her, he played at festivals such as Lollapalooza, Meca, Planeta Atlântida and shared the stage with names ranging from Jack White to Pearl Jam. It was at the end of 2017 that Tagua Tagua came to life, a solo project by Felipe Puperi, which evokes more traditional sounds of Brazilian popular music and traditional samba, with pinches of current and universal sounds. He sings in Portuguese and explores various elements of Brazilian music and associates them with electronic music, soul, and rock.

The Phantom of Liberty. "Drafty Moon" is a combat, shadow dissipation, enlightenment and detoxification disc. Far from the dormant bucolism of "Tremble Like a Flower", Bloom’s discographic debut, this second breath brings a more assertive attitude, sometimes close to punk (but only spiritually), with whistles of energy sometimes overflowing, sometimes tense and restrained as an outburst. Although eclectic in the variety of styles it manages to conjure, the album is traversed by a constant tension between shadow and light, firmly anchored in the lyrics and voice of JP Simões and finely woven into the narrative architecture of the arrangements, Exemplary marriage between acoustic and electronic elements, and in the lead Miguel Nicolau exuberant. With its restlessness and its dramas ofdeception and disagreement, in the unhealthy galloping of the great human machine that corrodes freedom and nature with a commercial smile, "Drafty Moon" manages to be a full record of a subtle and salutary good humor: as if, on the verge of sinking into treacherous quicksand, our American hero could still say with an unbearable smile: "One day we will laugh at all this".

A mythical Portuguese rock band takes the stage and there will be no shortage of songs that everyone knows by heart. Formed in the summer of 1986, fleeing the mainstream by principle and conviction, Peste & Sida are now more than a band, assuming themselves almost as a lifestyle. Plague and AIDS is like group therapy.

After marking the end of the 80s and the following decade with a totally personalized sound proposal, which combines instrumental music, jazz and MPB, the seven friends who form the Band Zil present, on October 25, at the Tivoli BBVA Theater, their most successful themes. To make the moment unforgettable, the Brazilian group is joined by António Zambujo, in an intimate and very special participation. Zé Renato (who has already joined the Portuguese band Trinadus) and Cláudio Nucci, both former vocalists of Boca Livre, one of the most successful groups ever in Brazil, return to sing together in Banda Zil, with the company of Ricardo Silveira, Marcos Ariel, Zé Nogueira, Jurim Moreira and João Batist, some of the country’s greatest instrumentalists

Universal artist, Amália Rodrigues (1920-1999) is one of the most important personalities in the history of 20th century music. His international career was one of the longest and most global of the entire 20th century. In the 21st century, its legacy remains alive, modern and timeless. The celebration of the Centenary of her Birth, in 2020 and 2021 will be a unique occasion for us to gain a clearer and more grounded awareness of the importance of Amália Rodrigues in the contemporary cultural scene. The year 2020 marked the centenary of its birth through a vast program. "AMÁLIA, WHO GAVE YOU THE FATE THAT YOURS ALREADY WAS" is one of the concerts in homage to Amália Rodrigues with Fabrizio Romano (piano, arrangements and musical direction), Luís Guerreiro (Portuguese guitar) and Daniel Pinto (bass guitar).

“Dancing in the Rain” brought together more than 3 million viewers in Russia, Northeast Europe and Germany, in an unforgettable experience! A show with several styles! Composed of classical ballet, contemporary, folk, modern jazz, hip-hop, breakdance, acrobatics and a good touch of humor in the interpretation will surprise you during the two hours of the show.

The Caldas Nice Jazz International Festival is back at the CCC - Centro Cultural e de Congressos das Caldas da Rainha -for another edition full of live performances and concerts, with musicians recognized internationally for their high musical quality.

Alice Phoebe Lou is back in Portugal on October 29, 2021 at Capitólio, Lisbon and on October 30 at Centro Cultural Vila Flor, in Guimarães to present her new album, scheduled for release in the spring of next year. Soul, blues and jazz sounds mixed with Alice Phoebe Lou's fierce and captivating approach have captured the attention of music lovers around the world. After the success of Paper Castles (2019), the young South African decides to break the lack of music caused by the pandemic and presents a new theme, “Witches”. Accompanying this debut, Alice Phoebe Lou shares the documentary directed by Julian Culverhouse that shows the entire creative and production process of her latest studio album.

Universal artist, Amália Rodrigues (1920-1999) is one of the most important personalities in the history of 20th century music. His international career was one of the longest and most global of the entire 20th century. In the 21st century, its legacy remains alive, modern and timeless. The celebration of the Centenary of her Birth, in 2020 and 2021 will be a unique occasion for us to gain a clearer and more grounded awareness of the importance of Amália Rodrigues in the contemporary cultural scene. The year 2020 marked the centenary of its birth through a vast program. "100 MÚSICOS PARA AMÁLIA" is a concert where 100 musicians, from different musical areas – from classical music to jazz, from fado to flamenco, from French and Italian songs to bossa nova and folklore, interpret the legacy of Amália Rodrigues

One of the most prominent pianists in the world, Nik Bärtsch, a music philosopher. Nik Bärtsch’s solo performance is a journey not only between the clarity of classical music and jazz improvisation, but also between the ancestral ritual harmony of Japanese sounds and modern minimalism. After listening to the works of this pianist, the public will not confuse them with anything else: their space is closed, the tension is constantly repetitive and infinitely slow, and the minimal improvisation, almost imperceptible, draws attention. The dialogue that the pianist invites to his concerts is not only a conversation between the creator and the listeners, but also a deep and exploratory look at himself. Nik’s musical work is edited by ECM Records, one of the most important labels in the Jazz edition worldwide.